Character Comparison †“Hills Like White Elephants” Essay

Both Hills like sinlessness Elephants by Ernest Hemingway and William Faulkners A Rose for Emily center around two women who atomic number 18 repressed by their lives circumstances. However, outside of their feelings, their situations could not be to a greater extent different. send packing Emily Grierson is trapped in a life of solitude, despondency, and desperation. The girl, or gigue, is equally as desperate, but her repression is not born of loneliness or restraintit is the barbarian of her freedom. Repression comes in several forms, but it will suffocate and consume you.In A Rose for Emily, lack Emily Grierson lives a life of quiet turmoil. Her life has revolved around an inexplicable loneliness nearly characterized by the harsh abandonment of death. The most vital imagery utilized by Faulkner demonstrates Miss Emilys psychic state. She, being self-imprisoned within the confines of her home, is the human embodiment of her house Faulkner describes it as stubborn and coqu ettish diminution above the cotton wagons and the gasoline pumpsan eyesore among eyesores. (Faulkner 308).Miss Emily is also decaying, but it is subtle and internalthe awful thwack that begins to permeate from her dwelling is a reflection of the withering woman within rotting. Perhaps most tragically, Miss Emilys isolation is far from self-inflicted. Her blind devotion to the ones she lovesher father, her lover, her home simply serves to further condemn her actions. Her neighbors skip toward her inability to let go of her father after his death, despite the delicacy of her state, caused for her madness to fester. She told them her father was not unfounded.She did that for three daysWe did not say she was crazy then. We believed she had to do that. (Faulkner 311). Their negligence of all the warning signs crimson after her lovers vanishing, the deterioration of her home, and Miss Emilys inability to accept realitywas the most prevalent form of repression in this story. Contrari wise, Hills like White Elephants does not deal with an imposed imprisonment. Jig is a young, modern woman who is faced with the decision of prolonging her freedom and the stability of her relationship or accepting pregnancy and the responsibility that comes with it.It is not to say that motherhood is a prison it is that motherhood would be the death of everything she loved, in general travelling, and the very stability of her relationship with her lover, the American. The American says, Thats the only thing that both(prenominal)ers us. Its the only thing thats made us unhappy. (Hemingway 115) which unequivocally shows that the center of conflict inside of their relationship is the presumed pregnancy. thither are several instances in the story that the American reiterates Jigs options for her future.Although he expresses that he would instigate and love her no matter what the ultimate choice is, she feels conflicted and her pain, which builds throughout the story and as the conv ersation progresses, becomes more obvious. What is most interesting is, as his second thoughts virtually the unspoken abortion spike, her resistance to discuss the offspring any further grows in tandem. Although the two heroes love for one another is seeming(a), there is the aching distrust between them Is there room for a child in their relationship built of travelling, drinking, and discovery?Jigs repression, just like Miss Emilys, is inevitable because of their presented circumstance. These stories are alike in the way of both of the womens love for their current situation. Although Miss Emilys heinous actions were intertwined with madness, they were based upon her love for her sweetheart and her father, disregarding herself. She is so frightened of facing the word without her beloveds that she would rather lie next to a long dead man than allow him to leave her.Comparably, Jig is also voluntary to put herself, and her needs, aside for the man that she loves. She is willing to set aside her doubtseven while the American begins to doubt what to doto do what is best for them to withstand as a couple. She simply states, to her lovers dismay, I dont care about me. And Ill do it and then everything will be fine. (Hemingway 116). In spite of her fears and apprehensions, she knew that it would only strengthen them in the end and shield them from more difficulties. Jigs strength, just like Miss Emilys, is undeniable.They both impact their feelings solely based on their own merits. However flawed either of them may have been, it is evident that their actions are driven by their human need for companionship. Their love for their respective partners trumps that of personal safety and perception. They are willing to risk everything, from their health to their freedom, just to have more time with their lovers. Therefore, both stories are finally romantic. In closing, both women had their hindrances that repressed them terribly.Fear and love, being the main mot ivating factors in these stories, showed themselves in many an(prenominal) ways and sheltered the women through their personal struggles. However skewed Miss Emily or Jig could be perceived as being, they were still worthy of compassion their respective actions towards preserving love were desperate, but also more than understandable. Love can drive people to do things that are out of characteror in Miss Emilys case, insaneespecially when one of the parties involved have lost a nose out of their own being inside of it.With their love taking paramount over themselves in mind, their choices, despite what anyone index say, were acts of self-preservation. Works Cited Hemingway, Ernest. Hills like White Elephants. The Norton Introduction to Literature. Ed. Allison Booth, and Kelly J. Mays. cutting York W. W. Norton & Company, 2011. 113-118. Print. Faulkner, William. A Rose for Emily. The Norton Introduction to Literature. Ed. Allison Booth and Kelly J. Mays. New York W. W. Norton & Company, 2011. 308-315. Print.